6 Job Search Trends Every Job Seeker Should Know

6 Job Search Trends Every Job Seeker Should Know We’re a â€Å"what’s next?† kind of society, and that means that everything has trends- from what we wear to which social media platform just became uncool after everyone’s grandparents signed up. This applies to the job hunt, too. Some things about looking for a job are pretty evergreen- like using active verbs in your resume and dressing in your professional best for an interview- there are trends that could give you an edge. Before you convert your resume to an all-Vine format, consider these less-extreme options for joining the 2016 race.1. Emphasize skills over school.A degree is always going to be a great asset in your application package, but your resume should focus on your hard skills and experience over the school name. The educational landscape is getting more diverse all the time, with online degrees becoming more common, so brand-name schools may be less important than the overall package.2. Find your career community.Not so long ago, general job sites like Monster were all the rage, as one could find all sorts of jobs from pretty much any field. This year, try looking for communities and sites specific to your area, and take advantage of their forums, articles, and meetups to network in your own field. When you’re looking for jobs, try thinking specialized instead of general, and see what you can find.3. Be mobile.If you’re reading this on your phone, this one might not be the advice for you- you’re probably already plugged in. But if you’re still limiting your job search to sites you find on your computer, try using mobile job apps and search tools on your phone or tablet to find opportunities that might not be living in a standard web browser.4. Consider a career jump to a hot industry.In 2016, areas like healthcare (especially healthcare technology), mobile marketing and analytics, and other tech fields are growing at an incredible pace. If you’re looking for a change of pace, take a close look at jobs in those industries that might dovetail with skills you already have.5. Be flexible about work environment.This does not mean you should chase those internet ads that promise you’ll earn $80,000 a month working from home, like my sister’s cousin’s best friend’s cat. However, many companies do offer flexible work arrangements, since so many tasks and meetings can be handled easily via communications tech. A job opportunity in another state might have been a non-starter before, but these days you should take a closer look and see if you actually can live here, but work there.6. Just be flexible.It’s not just the geographic boundaries that are stretching. With companies finding new ways to meet economic challenges, you could find opportunities outside of the 9-to-5 template. That may be freelance openings that help you build relationships, or part-time jobs that help you build experience. Everything is customizable now, and why sh ould your career be any different? If you’re open to change and different ways of doing things, you may discover opportunities you didn’t notice before.2016 could be a great year. If you know which areas where you can jump on the trends and find a way to make them work for you and your professional goals, it could be a year of great changes as well.

The Sinking of the Lusitania and Americas Entry into World War I

The Sinking of the Lusitania and America's Entry into World War I On May 7, 1915, the British ocean liner RMS Lusitania was in route from New York City to Liverpool, England when it was torpedoed and sunk by a German U-boat. Over 1100 civilians died as a result of this attack, including more than 120 American citizens. This defining moment would later prove to be the impetus which eventually convinced United States public opinion to change from its’ earlier position of neutrality with respect to being a participant in World War I.  On April 6, 1917,  President Woodrow Wilson appeared before the U.S. Congress calling for a declaration of war against Germany.   American Neutrality at the Start of World War I World War I had officially started on August 1, 1914 when Germany declared war against Russia.   Then on August 3rd and 4th, 1914, Germany declared war against France and Belgium respectively, which resulted in Great Britain declaring war against Germany. Austria-Hungary declared war against Russia on August 6th following Germany’s lead.  Following this domino effect that started World War I, President  Woodrow Wilson  announced that the United States would remain neutral. This was consistent with the public opinion of the majority of the American people.    At onset of the war, Britain and United States were very close trading partners so it was not unexpected that tensions would arise between the United States and Germany once the Germans started to conduct a blockade of the British Isles. In addition, a number of American ships that were bound for Great Britain had been either damaged or sunk by German mines. Then in February 1915, Germany broadcast that they would be conducting unrestricted submarine patrols and combat in the waters which surround Britain. Unrestricted Submarine Warfare and the Lusitania The Lusitania had been built to be the world’s fastest ocean liner and shortly after her maiden voyage in September 1907, the Lusitania made the fastest crossing of the Atlantic Ocean at that time earning her the nickname â€Å"Greyhound of the Sea†. She was able to cruise at an average speed of 25 knots or approximately 29 mph, which is about the same speed as modern cruise ships. The Lusitania’s construction had been secretly financed by the British Admiralty, and she was built to their specifications. In exchange for the government subsidy, it was understood that if England went to war then the Lusitania would be committed to serving the Admiralty. In 1913, war was looming on the horizon and the Lusitania was put in dry dock in order to be properly fitted for military service. This included installing gun mounts on her decks – which were hidden under the teak deck so that guns could easily be added when needed. At the end of April 1915, on the same page were two announcements in New York newspapers. First, there was an advertisement of the impending voyage of the Lusitania scheduled to depart from New York City on May 1st for its’ trip back across the Atlantic to Liverpool. In addition, there were warnings that had been issued by the German Embassy in Washington, D.C. that civilians who traveled in war zones on any British or Allied ship was done at their own risk. The German warnings of submarine attacks did have a negative impact on the passenger list of the Lusitania as when the ship set sail on May 1, 1915 as it was far below its’ capacity of a combined 3,000 passengers and crew on board. The British Admiralty had warned the Lusitania to either avoid the Irish coast or take some very simple evasive actions, such as zigzagging to make it more difficult for German U-boats to determine the ship’s course of travel.  Unfortunately the Lusitania’s Captain, William Thomas Turner, failed to give proper deference to the Admiralty’s warning. On May 7, the British ocean liner RMS Lusitania was en route from New York City to Liverpool, England when it was torpedoed on its starboard side and sunk by a German U-boat off the coast of Ireland. It only took about 20 minutes for the ship to sink. The Lusitania was carrying approximately 1,960 passengers and crew, of which there were 1,198 casualties. In addition, this passenger list included 159 U.S. citizens and there were 124 Americans included in the death toll.   After the Allies and the United States complained, Germany argued that the attack was justified because the Lusitania’s manifest listed various items of munitions that were bound for the British military. The British claimed that none of the munitions on board were â€Å"live†, so therefore the attack on the ship was not legitimate under the rules of war at that time. Germany argued otherwise. In 2008, a dive team explored the wreck of the Lusitania in 300 feet of water and found approximately four million rounds of Remington .303 bullets that had been made in the United States in the ship’s hold. Although Germany eventually gave in to protests made by the United States government regarding the submarine attack on the Lusitania and promised to end this type of warfare, six months later another ocean liner was sunk. In November 2015, a U-boat sunk an Italian liner without any warning whatsoever.   More than 270 people perished in this attack, including more than 25 Americans causing public opinion to begin to turn in favor of joining the war against Germany. Americas Entry into World War I On January 31, 1917, Germany declared that it was placing an end to its’ self-imposed moratorium on unrestricted warfare in waters that were within the war-zone. The United States government broke diplomatic relations with Germany three days later and almost immediately a German U-boat sunk the Housatonic which was an American cargo ship. On February 22, 1917, Congress enacted an arms appropriations bill that was designed to prepare the United States for war against Germany. Then, in March, four more U.S. merchant ships were sunk by Germany which prompted President Wilson to appear before Congress on April 2nd requesting a declaration of war against Germany. The Senate voted to declare war against Germany on April 4th and on April 6, 1917 the House of Representatives endorsed the Senate’s declaration causing the United States to enter World War I.

Reflection writing assignment Essay Example | Topics and Well Written Essays - 250 words

Reflection writing assignment - Essay Example It comes from within us. We concentrate on planning and thinking how to transform our complex thoughts into an organized written text. Sometimes, I would find myself staring at a blank paper for hours because I do not know how to start the topic I am working. Worse, when I get to start writing, I would it difficult to end the topic. Also, I would sometimes be confused in grammatical rules especially when I construct complex sentences. Moreover, I need guidance in using the right punctuations for longer sentences. However, amidst all these difficulties I encountered in writing, I have remained patient in re-writing and editing my drafts to come up with a presentable essay. Writing an outline also helps me in organizing my thoughts and ideas. Most of all, I try to read a lot in order to learn more from the different writing styles of authors. I believe that practice is the only way that I could master the

Research on Sure Thing by David Ives Paper Example | Topics and Well Written Essays - 1250 words

On Sure Thing by David Ives - Research Paper Example The actions, reactions, beliefs, attitude and character psychology become the most important part of the play and create the definite response that is expected in the play. The concept of Sure Thing is then dependent on the psychological associations and expectations that change throughout the play and are defined by the layers to the character. The main concept that Ives uses to characterize the changes in the psychology is through Betty and Bill and their relationship that grows as they get to know each other. The psychology of the characters and the way that they relate to each other changes when the bell rings. By this occurring, the correct scenario is created in the end, which the author creates as being significant by the statement of â€Å"sure thing.† The bell changing the scene becomes the signifier that is attributed to the play and leads to the main concepts of psychological relationships and how this creates both the play and the relationships which are held betwe en two individuals. The changes in relationship become the stabilizer in the play because of the continuous changes in the character. This is done to define the main attributes of the characters while changing these with acceptance or rejection based on personality (Hauptmann 1). The dimensions of the characters and displays which are created by building continuous changes in identity as a psychological, as opposed to a physical, attribute (Rusko Hamar 509). The concept of character identity expression is one which is traditionally used in places to identify the specific attributes which each individual has. Voice fluctuations, differences in costumes and divisions are used to create the identity. Within each of these are symbols to show that the individual represents a specific set of characteristics, specifically which they never go out of. The personality features are then able to create an understanding that specific psychological attributes are associated with the main classifi cations of the day while building changes that relate only to the main characteristic and identity. This specific concept is used with a variety of plays and is expected as a main component in traditional theater (Rusko Hamar 509). The difference with Ives work is that the same characters are used. The only difference is in how the character chooses to respond and what is associated with this alteration. For instance, when Bill is talking to Betty, both make several statements that are not considered as psychologically acceptable by Betty. At these times, the bell rings and a different persona is taken. An example of this is when Bill starts to ask Betty more personal questions. â€Å"Bill: Do you come in here a lot? Betty: Every once in a while. Do you? Bill: Not so much anymore. Not as much as I used to. Before my nervous breakdown. (bell)† (Act 1, scene 1). This is one of several examples that show the transparent psychology which is stated becomes unacceptable. The bell a llows this to be avoided and a different characteristic or psychological response to be replaced with the information that is given. By changing the response and characteristic, there is the ability to create the right layers to the character until one fits with the other in terms of psychological responses. The ability to break the psychological attributes and characteristics of both of the characters is one which doesn’t take place as a voice only of the several sides of Betty and Bill. There are also

You Shall Know Our Velocity by Dave Eggers Essay Example for Free

You Shall Know Our Velocity by Dave Eggers Essay Every person undergoes difficulty in life. Experiences in life may cause troubles in our way of thinking and sometimes even affects our principles. In the novel, â€Å"You Shall Know Our Velocity† by Dave Eggers, the character of Will Chmlielewski experienced difficulty in the form of losing his friend (Jack) and being beaten. He intended to help Jack with the large amount of money that he got but no avail. It was hard not to be able to do something to avoid the death of a friend especially when you are very much willing to do anything in your power to shun it. Nobody couldn’t blame Will for feeling lost and hurt. Because of his hurt and disappointment, he felt that the money in his hands was a burden that he had to get rid of it as quick as he possible. Will together with his other friend Hand went to different countries to give away the money supposedly intended to save their friend Jack. They thought that when they give away the money to people who need it, they will somehow help in restoring hope to people’s perception. The two realized along the way that it is not easy to give away just like that. People have to earn their blessings or the help that they receive. Both the giver and the receiver should exert effort in achieving humanity. If people like Will and Hand will just give away money without any particular reason or purpose, there is a very huge possibility that others may take advantage of them or worse, even rob them. In real life, it feels good to be able to help without anything in return. However, even with the purest intentions, one should always be on the look out against abusive people. The effort of generosity and humanity might be put to waste if people who need it don’t receive it because of the people who take advantage of it. There is no doubt that everybody needs help in one way or another. Not all help are material in nature; some need emotional help. So what should be done to make sure that the one that you’re helping deserves your care? The simple answer is – let him earn it. Earning it has different ways. May it be proving that he is trustworthy or showing his sincerity. The novel is a fiction. Nevertheless, the gestures of Will and Hand in the novel would bring relief to a lot of people if they were true. Some may find their deeds crazy, but it’s touching. They didn’t contain themselves in rendering help only in their town. They rather took time to travel around the world to spread it. The amount of money that they were giving away isn’t an issue. What’s important is the message that they trying to convey by their actions. No matter how desperate and hopeless you are, your unpleasant experiences shouldn’t be a hindrance in the distribution of happiness, hope and love. One’s own frustrations, desperations and sorrows may become a tool in getting over the same things. It’s just a matter of seeing the light side of it. When you know that it is difficult to be unhappy, share happiness. Eventually, you yourself will feel grace. People have different ways in comforting themselves and getting out of a difficult situation. Some people act crazy, some stay inside their rooms and mourns until they dry their tears from crying and some focus their attention to something that will keep them busy. Will and Hand chose to be crazy but humane. Their means may look crazy but their intention is good. They give relief to people’s misery and needs which in turn give them satisfaction and medium to get rid of their sorrow. The meaning of the novel is very deep. The characters and gestures of Will and Hand may seem comical satires but a close look at their temperaments shows good heart. Their adventures different cultures and how they managed to get along with them even with their ignorance. Ultimately, the author wants to show that even in a modern time like ours, humanity is still alive.

Invisible Man Essay examples -- essays research papers

Invisible Man What makes us visible to others? How is it that sometimes society is completely blind to our exisitance? Either we are invisible because we are not being noticed or we are invisible because others can not see our true identity due to expectations relating to race, gender or class. Of course the term invisible was not intended to be taken literally. The meaning of invisible in Ellison’s Invisible Man is essentially metaphorical. Ralph Ellison’s Invisible Man, the main character experiences invisibility in various manners and situations. Being invisible has its advantages. If others don’t acknowlegde you then you could get away with actions that people are usualy punished with a penalty. In the book, the main character tells of his advantages of being invisible such as living in the basement of an apartment building rent free beause the landlord is unaware of his dwelling. The same example can be said in a working enviornment where an employee can come in late multiple times but is not scrutinized because that employee is not vital and therefore unoticed by the employer. This type of invisiblilty is favored by some by laothed by others.   Ã‚  Ã‚  Ã‚  Ã‚  Some people don’t like the felling of being unimportant. Ironically, in the book Invisible Man, the main character explained the advantages of being invisible shortly after he showed contempt for being invisible. Frustrated at his invisibility, he lashes out at a man he intentionally bumped into (althought at the beginning, he said it was accidental). Observing this more closely, it was an attempt to be acknowledge by the man to see if he would move out of the way. The fact that the man didn’t bother to do so only push him down a deeper state of anger and therefore the only way for him to be acknowledge is to act drastically. This inisibility is a reflection of the other’s respect for the main character. The main character was not a seen person of importance. Not being acknowledge is usually frowned upon. This disregard of acknowledge occurs often in a place of work. Whether it be in a learning institution or a working enviornment were a perso n deprived of praise and recongnition. In order for that perons to be reconginized is to make him/herself seen and usually this calls for gaining the attention of another by some act. Then your invisibility becomes visble as a new image is ... ...rson that he/she should speak with slang and where baggy clothes. In time, this person usually go through the gradual change of becoming person that was visible to the black community. In time those who tend towards the identity that is not their own evetually becomes lost in that identity. Therefore their true identity is no longer visible to them but remain visible to others in that â€Å"other† identity. The issue of visibility and invisibility will always involve race, gender and class. Race, gender and class aren’t the ONLY subjects that would influenece visibility and invisibiy. It can also be actions, education, hieght, etc. Unfortuntely people tend to see only what they expect to see, blinding themselves from the actually truths othe of others. This seems to be an ongoing issue as people tend to only look at the surface and don’t bother to look past it. Recongnizing what deserves regonistion is not the only solution. There is also fair treatment of others. We must learn not to assume what we expect of others. This expectations usually lead to underestimting and disrespect to those that deserive it. Only when we decide not to be blind can we finally see what ws truly invisible.

Food Critique History Essay

Food history is an interdisciplinary field that examines the history of food, and the cultural, economic, environmental, and sociological impacts of food. Food history is considered distinct from the more traditional field of culinary history, which focuses on the origin and recreation of specific recipes. Food historians look at food as one of the most important elements of cultures, reflecting the social and economic structure of society. Food history is a new discipline, considered until recently a fringe discipline. The first journal in the field, Petits Propos Culinaires was launched in 1979 and the first conference on the subject was the Food & History is a multilingual (French, English, German, Italian and Spanish) scientific journal that has been published since 2003. Food & History is the biannual scientific review of the European Institute for the History and Cultures of Food (IEHCA) based in Tours. It publishes papers about the history and culture of food. The review Food & History is the biannual scientific review of the Institut Europeen d’Histoire et des Cultures de l’Alimentation / European Institute for the History and Culture of Food (IEHCA) in Tours, France. Founded in 2003, it is the first journal in Europe, both in its vocation and concept, specialised in the specific field of food history. Food & History aims at presenting, promoting and diffusing research that focuses on alimentation from an historical and/or cultural perspective. The journal studies food history (from prehistory to the present), food archaeology, and food culture from different points of view. It embraces social, economic, religious, political, agronomical, and cultural aspects of food and nutrition. It deals at the same time with questions of food consumption, production and distribution, with alimentation theories and practices (medical aspects included), with food-related paraphernalia and infrastructures, as well as with culinary practices, gastronomy, and restaurants. Being positioned at the cross-roads of the humanities and social sciences, the review deliberately promotes interdisciplinary research approaches. Although most contributions are concerned with European food history, the journal principally also welcomes articles on other food cultures. Food & History is a fully-fledged academic journal which applies the usual methodical instruments for assessing incoming articles, i. e. a double-blind reviewing process by external referees, recruited from a large and ever-growing intercontinental pool of experts in the field of social and cultural food studies. Food & History belongs to a decreasing spectrum of journals which openly expresses its European and international character by accepting manuscripts in five European languages (English, French, Spanish, Italian, and German). Food & History gains official recognition from the Institut des Sciences Humaines et Sociales of the CNRS (Centre National de la Recherche Scientifique) and is indexed by the European Reference Index for the Humanities (ERIH) of the European Science Foundation (History category B). Food & History can be published thanks to the financial support from the Ministere de l’Education nationale, Ministere de l’enseignement superieur et de la recherche, Universite Francois-Rabelais de Tours, and the Conseil Regional du Centre. [edit] History Food and History was created by a network of academic researchers and students, with the help of the French Ministry for National Education and the University of Tours. The journal is sustained by the French National Center for Scientific Research (CNRS)[1] and is cited by the European Science Foundation in its European Reference Index for the Humanities (ERIH)[2]. The launch of Food & History was on the one hand a logical fruit of the foundation of the European Institute for the History of Food in December 2000 in Strasbourg (redefined in 2005 as European Institute for the History and Culture of Food), and on the other hand a clear manifestation of the gradual breakthrough of social and cultural food studies as an independent field of research during the first decades of the 21st century. The emergence of this sub-discipline had, of course, been anticipated in an impressive record of food-related research, conducted by scholars from adjacent fields, such as e. . economic history, agricultural history, history of the body etc. However, the scholars behind these pioneering works were generally operating on a rather individual base and they would not have defined themselves as food historians. It was only with the foundation of the journal Food and Foodways in 1986 and of the International Commission for Research into European Food History (ICFREH) by Hans-Jurgen Teuteberg in Munster 1989 that a first infrastructural framework for social and cultural ood studies was provided. In the decades around the turn of the century, a lot of new food-related research initiatives became visible, thus demonstrating the vitality of this research area. In 1997, the Department of History at the University of Adelaide established a Research Centre for the History of Food and Drink. In 2001, a new web-journal The Anthropology of Food was launched and in 2004 the American Association for the Study of Food and Society re-launched a journal, entitled Food, Culture and Society. Around the turn of the century, due to – amongst others – new appointments in the editorial board, the research interest of the journal Food and Foodways changed in a two-fold sense: on the one hand â€Å"it shifted away from familiar disciplines (history, sociology, ethnology) toward ‘unexpected’ones (communication sciences, linguistics, tourism)†, on the other hand it became increasingly dominated by Anglo-Saxon input, especially from scholars from the USA, whereas the influence of the traditional French research schools significantly diminished. Some scholars argue that this ‘exotic’ publication strategy of Food and Foodways may have led to the launch of the new food history journal Food & History. Be that as it may, it was from the very start of the European Institute for the History of Food obvious that this new Europe-wide food research initiative should be accordingly accompanied by the launch of a new publication platform. And so happened: three years after its foundation, the IEHA announced the introduction of a new journal, Food & History, which still appears under the aegis of IEHCA, represented by its director Francis Chevrier (series editor). It started with a 7-persons board, consisting of four historians, one sinologist, one sociologist and Secretary Christophe Marion. As from volume 4. 2 (publication year 2006), the editorial board was almost doubled, with the addition of a philologist, archaeologist, classicist, and three historians. After a transition period and the appointment of a new secretary in 2007, the journal has been increasingly professionalised, amongst others by the introduction of a new uniform style sheet (link) and by the application of a comprehensive peer reviewing system (starting with volume 5. 1). These assessments are usually carried out on an entirely honorary base. However, by way of acknowledgement, the names of external referees are regularly published, usually in the last issue of each volume. Another development that bears witness of the increasing professionalisation of the journal was the change in its direction. During the initial period, Massimo Montanari had served as editor in chief, but in 2008 the editorial board declared itself openly in favour of a new dual leading structure, which rotates among the board members, giving each tandem a triennial turn (which is once renewable for another turn of three years). During a transitional year (2009), Montanari was accompanied by Allen Grieco and Peter Scholliers, who in the subsequent year took over the torch of the journals direction. Yet another step towards further professionalisation was the introduction of a group of corresponding members as from 2010, with the aim to represent the journal’s interests in different world regions and to establish a permanent flow of food research related information between these regions and the journal’s â€Å"headquarters†.

Japanese fiction works are better than Western ones Essay

Q:What kind of Japanese fiction works? A:This presentation is mostly about comics and animation produced in Japan, but it covers also TV Shows and movies Topic: Japanese fiction General Purpose: To persuade Specific Purpose: To persuade you that Japanese fiction is better than western fiction regarding comics, animation, movies and TV shows Thesis statement: Although Western people see Japan as a calculating land with brutally efficient workers, they are in fact individualistic, expressive and sentimental if we can judge them from their works of fiction who surpass our own in various aspects Introduction: I. How other countries think of Japan II. Thesis statement III. Reminding the meaning of the terms manga and anime Body: I. First argument: Japan’s tendency to mix various influences from all over the world A.Japan borrows various foreign things and merges them with other elements B.Example regarding religion of Japan C.This tendency in regards to fiction II.Second Argument: How Japanese portray life, human relations, nature and the world in their fiction works A.Human nature is portrayed as it is B.Japan’s popular culture has a tight closeness to the ordinary, everyday lives of its audience C.Manga on any theme imaginable and toward any age range D.How human relations are portrayed III.Third Argument: Heroes’ fate after their struggle, death and the morality of the universe in Japanese fiction A.What defines a hero in Japan B.Death in japanese fiction C.View of the universe as amoral IV.Opposition/Refutation A1. Pornographic themes in manga and anime A2. Refutation B1. Japan’s cultural insularity robs it of relevance for other societies B2. Refutation Conclusion: I. Quote from Antonia Levi If someone will say that Japanese people are imaginative, sentimental, expressive and individualistic might earn him strange glances in most countries of the world. Many Westerners see Japan as a cold, calculating land of ant-like workers with brutal efficiency. Students are seen as oppressed slaves to their studies, pounded down like nails until their imaginations and individuality are crushed, or until they are driven to suicide. Japanese social culture is often seen as blanketed under stifling layers of politeness and formality, characterized by endless bowing. However, underneath all these there is the hidden Japanese soul. Almost all of the Japanese escape from reality through fiction works. These domestically created fiction works be it comics, animation, movies or TV shows enjoy great popularity not only in Japan but also in many countries of the world. Therefore, because these specific works are strikingly different from what we’re used to here in the Western world, it is inevitable to compare these two: the Western fiction works and the Japanese ones. Hello, everybody, my name is †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ I will talk to you about Japanese fiction works and I will compare them to Western ones so as to enforce my opinion and persuade you of course, that Japanese fiction is better than Western fiction. Before starting, I want to make you acquainted with two terms. Manga, which is used to refer to the Japanese comics and anime, which refers to the Japanese animation. As a first argument, I have to inform you that Japan has the tendency to borrow various foreign things and to tinker with them, merging them with native or other elements so that they become something new and often quite distinct from the original. As an example, regarding religion, Taoism was the original religion of Japan but this didn’t stop Japanese people from accepting Buddhism as well, and even acquiring some aspects of other religions in addition, like Christianity. In works of fiction this tendency of the Japanese means new and non-static entertainment through mixing different influences from around the world without having to suffice only to the myths and the influences of their own country. For my second argument supporting Japanese fiction, I want to inform you about the way Japanese portray life, human relations, nature and the world in their fiction works. The world and human nature in Japan’s pop culture can be portrayed as they are, not as they should be. This allows Son Goku, Dragonball’s raised in the wild, central character, to be drawn naked, without the private parts-covering fig leaf that had to be added for American TV. It allows as well, the darker side of life to be portrayed. In an episode of Naniwa Kin Yudo, which is an anime TV series, the protagonist Haibara encourages the girlfriend of a customer, who cannot repay his loan, to work as a prostitute to cover her boyfriend’s debt. Scenes such as this can be disturbing but they are part of life and are neither denied nor hidden. Kazuhiko Torishima, editor of Japan’s best-selling comic magazine Shonen Jump states: â€Å"I feel sorry for U.S. kids, who live in an adult-filtered Disney world.† Moreover, Japan’s popular culture has a tight closeness to the ordinary, everyday lives of its audience. American comic artist Brian Stelfreeze has said: â€Å"Comics in the U.S. have become such a caricature. You have to have incredible people doing incredible things, but in Japan it seems like the most popular comics are the ones of normal people doing normal things.† Part of the normalcy is that the characters that populate Japan’s manga, anime and TV dramas display plenty of character flaws and weaknesses along with their strengths and good points. Furthermore, as Ian Reader, a scholar of Japanese religions and popular culture, has noted: â€Å"Manga are simply too fascinating, colorful and rich a literary medium to be left solely to children. In Japan one can find manga on any theme imaginable and toward any age range.† which is certainly not the case with American comic books. In addition, Timothy Craig which is an author, writes in his book entitled â€Å"Japan Pop!† that, human relations are a pervasive topic in Japanese pop culture, as one would expect from a society that places great importance on the group, harmony, and the smooth management of conflict. Human relations are also portrayed with a sophistication that does justice to the complexity of human affairs. Issues are many-sided, emotions are mixed, solutions are neither easy nor obvious, and outcomes are often ambiguous – not unlike real life. He continues by saying that, in Japanese fiction the human characters are more real. They  exhibit a fuller range of human emotions and are put into more realistic situations, sometimes with unpleasant outcomes, than allowed by Disney’s â€Å"perfectly preserved, stiflingly safe fairytale-based storylines.† For my last argument I will talk about heroes’ fate after their struggle, about death and the morality of the universe and therefore god, in Japanese fiction. We here in the Western world, are used to good being only good and be rewarded in the end and evil being only evil and be punished in most of the cases. This is not the case in Japanese culture. It’s not unknown in Japan for heroes to become villains and vice versa. Moreover, the Japanese hero is defined by motivation than in the West where heroism is more dependent on result. The ideal Japanese hero is not only self-sacrificing, but also unconcerned with personal gain or survival. The hero’s willingness to give his or her all to it is what counts. Winning doesn’t matter either. Losing and gaining nothing confirms the hero’s altruism and renders his or her sacrifice all the more tragic. Many characters also, meet meaningless, undeserved ends. And fans love that aspect, the fact that bad things , even death, can happen to any character at any time. It doesn’t matter how brave, how good, or even how popular they are. According to my opinion, this fact is absolutely in accordance to how our own world works. Death and bad things generally, can be around the corner for any person, no matter how kind or good-willed he or she is. According to a book by author Antonia Levi titled â€Å"Understanding Japanese Animation† that doesn’t happen on American TV where virtue is rewarded and evil is punished. That’s mainly because America is a Christian culture that believes that the universe is, or it should be, a moral place. The Japanese peoples’ take on this is that universe is amoral. Shinto as well, has no moral code at all! It simply celebrates life. Heroism and self-sacrifice may define a japanese character as a hero, but they will not save him or her. The universe simply doesn’t care. On the opposing side now and regarding manga and anime specifically, some of you may have noticed and may say that a lot of these works have pornographic themes. Wrong. According to the author of the book â€Å"Understanding Japanese Animation† these works are actually a very small portion of the total production of Japan in manga and anime that is disproportionately exported  to the Western world. Another opposition stated by quite a few people, expresses that Japan is a one-dimensional economic power marked by a cultural insularity that robs it of relevance for other societies. Wrong again. The success and presence of Japan’s cultural exports in countries apart from Asian ones such as U.S.A, Canada and most of the European countries is strong evidence that Japan’s culture does have relevance for other societies. To conclude, and quote author Antonia Levi, it’s not just that Japan’s pop culture deals with dilemmas in a more realistic fashion, or that it raises issues considered taboo in other countries. Its willingness to show death and other bad stuff restores a kind of tension, a genuine dramatic emotionality that Hollywood and TV seem to have forgotten about. Bibliography: Clements, Jonathan and Helen McCarthy. The Anime Encyclopedia: A Guide to Japanese Animation Since 1917 Stone Bridge Press, 2001. Craig, Timothy. Japan Pop: Inside the World of Japanese Popular Culture East Gate, 2000. Levi, Antonia. Samurai from Outer Space: Understanding Japanese Animation Carus Publishing, 1998. Patten, Fred. Anime Stereotypes. Newtype, Issue Dec.2003 A.D.Vision Publications. For my third argument supporting my opinion, I will talk about the presence of female heroes in Japanese fiction. In the Western world apart from such exceptions as Wonder Woman, She-ra and Xena the role of superhero has traditionally been reserved for males, and targeted a predominantly male audience especially in comic books. This is not the case with Japanese  fiction. Japanese don’t neglect females be it on the starring roles of their fiction works or as a target group audience. In manga specifically, there exists a separate genre called shoujo manga with many sub-genres itself, which raises issues and has stories related and devoted to women. The presence of females as featured heroes in manga, animation and TV shows has been much stronger in Japan than in the western world. As the book â€Å"Japan Pop† specifically reports: â€Å"in Japan girl heroes are now as common and popular as boy heroes. The reasons for this are complex and, while hardly due to a greater feminist consciousness in Japanese society, are clearly linked to the increase in recent years of female artists.

Movie Review on Gravity

Movie Review on Gravity Writing a movie review is not among the most popular assignments that students love to do, because when students think of a movie; their brains switch to entertainment mode where they can relax and enjoy what the movie has to offer them. A movie review certainly takes this away from them because it forces them to concentrate and engage critical thought when watching the movie, regardless of the number of times they must watch the movie. When asked to compose a movie review on Gravity, for instance, you should try and watch the movie more than once, if circumstances permit. This is because when one watches a movie just once, it becomes very easy to miss key elements, and once one misses these key elements, it becomes difficult to write an excellent movie review. When you write a movie review, it should entail mostly explaining your opinion about the movie, while supporting any criticism you may have in the movie review. For example, if after watching the movie, you felt embarrassed, disappointed or excited, provide a valid reason as to why you felt this way and you could back up this statement by pointing out the part of the movie that made you feel this way. Do not assume that what you see is obvious because what you assume is obvious may not necessarily be as obvious to another reader. Even as you write the review and criticize the movie, there are things you must avoid and lines that you must never cross; otherwise, your review paper will be regarded as a failed review paper. Such things include writing personal attacks on an actor in the movie, the director of the movie, the genre the movie falls under, or even attacks on a screenwriter. Before writing the review, ensure that you pay some attention to the reader you think will be reading your paper, because the content you include in your paper should be something a reader will find appealing. Additionally, for any point of criticism you include in the essay paper, ensure it is well supported, because it depends on how you support your ideas that the reader will either agree or disagree with the points you have made in the essay paper. Spoilers are something else you must avoid in writing your review essay paper, because they do not come out as professional and they could discourage the reader from being interested in reading the movie review on their own. When writing a review, you are basically acting as a judge of the story that has been written, by stating if the actions in the movie can be justified, if the story line is solid and if the motives within the movie are plausible. If you experience problems in writing your movie review essay on Gravity dont hesitate to contact our professional writing service.

Using the Spanish Nouns Hombre and Mujer

Using the Spanish Nouns Hombre and Mujer Hombre and mujer are the Spanish words for man and woman, respectively, and are used in much the same way as their English counterparts. Although both words can be used for a male or female, respectively, of any age, they are most often used to refer to adults. Also, el hombre, like the English man, can be used to refer to Homo sapiens, the human species. Example: Cientà ­ficos dicen que el hombre es el resultado de largas etapas evolutivas. Scientists say man is the result of long evolutionary stages. Hombre or mujer can also be used to refer colloquially to ones spouse. Hombre and mujer can also be used as interjections, much as man can be used in English:  ¡Hombre!  ¡Quà © emocionante! or  ¡Mujer!  ¡Quà © emocionante! Man! How exciting! Following are some common phrases using hombre or mujer. Some of them that are listed only with hombre can also be used with mujer but the feminine usage is rare. Also note that while a few of the terms may appear sexist, they are intended to reflect the language as it is used and not necessarily as all feel it should be. Common Phrases Using Hombre or Mujer de hombre a hombre, de mujer a mujer - in total sincerityhombre/mujer de confianza - right-hand man/womanhombre de entereza - man who is cool and composedhombre del saco - boogeymanhombre/mujer de negocios - businessman/businesswomanhombre de paja - figureheadhombre lobo - werewolfhombre medio / mujer media - average man/woman, man/woman in the streethombre/mujer objeto - person valued for his/her sex appeal and little elsehombre pà ºblico - man with social influencehombre rana - frogmanmujer de su casa - housewifemujer fatal - femme fatalmujer pà ºblica/perdida/mundana - prostituteser mucho hombre - to be talentedser mucha mujer, ser toda una mujer - to be exemplary in characterser muy hombre - to be strong and braveser poco hombre - to be a coward

Motorola Inc. in China Case Study Example | Topics and Well Written Essays - 2000 words

Motorola Inc. in China - Case Study Example There is an increase in manufacturing activities which have further led to an increase in demand for skilled labour and advanced technology. This has also resulted in mergers, acquisitions, exploration of new consumer markets and search for better supply chain partners." (Berger, 2000). Precisely put, this is the wave of globalization that every company, big or small, wishes to ride in its lifetime. On the verge of sinful exaggeration, I risk to comment that the phenomenon of globalization has made and ruined the fortune of many companies. The story of Motorola is a story of effort, clairvoyance and survival. A company with very humble beginnings, the Illinois giant went global as early as 1960's when the concept of globalization was itself in rudimentary stages. With each passing year, the company scaled new heights in the field of consumer electronics, semiconductors, wireless devices and other related domains. Originally christened as Galvin Electronics, today's Motorola Inc. was founded by Paul.V.Galvin in Schaumburg, Illinois, USA, in the year 1928. Its first line of business was . from thence it migrated into other areas and created a series of firsts which changed the way the people over the way communicate. The two-way radio service, the first pager service, cellular handsets, the six sigma theory, GPRS etc., to name a few. Interestingly, Motorola's journey has also been one of frequent investments and divestitures, which largely remains unparalleled. It progressed the most under the leadership of Robert Galvin and by the 1980s, it became a world leader in chip, modem, cable and wireless technology. It merged with General Instrument Corporation in the 1990 and proposed the development of first HDTV technical standard. By 2001, the company had a worldwide sales of US 30bn and by 2007 it crossed the $100bn mark. Motorola- The Chinese Affinity China has always been the cynosure of the eyes of global investors and Motorola Inc is no exception to this. It forayed into the Chinese territory in 1987 and set up its first office there in Beijing. Buoyed by the response and initial success, it set up Motorola China Electronics at Tianjin in 1992. Then, it mainly limited its production activities to products such as two-way radios, mobile phones, automobile electronics, semiconductor, cell phones and pagers. When Tango, was launched in 1995, it